¥v°OáõÃÒ¨÷¤T¤Q¤@¢w¢w§d¤Ó§B¥@®a²Ä¤@ | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤T¤Q¤G¢w¢w»ô¤Ó¤½¥@®a²Ä¤G | ¤ý¨û©¢ |
¸¾¥¬ÊT¦Ë¶Ç¦Ü¤j®L¸ô®|ªºÄù´ú | ®á¨q¶³ |
¤sÀÜ½× | ®}°ª¨¿¿ò§@ |
ªþ¸ü¡G | |
®ï¥NªºÉq¤g¡Bª©¿v¡B»P¤@¯ë«Ø¿v | ¥Û¼ý¦p |
Ãh©À³¯±G«ñ¥ý¥Í¡]¥»¥Z½s¿è©eû·|ªþÃÑ¡^ | «\¤jºû |
¤JÃö«eº¡±Ú§L¼Æ»P¤H¤f°ÝÃDªº±´°Q | ºÞªF¶Q |
¥v°OáõÃÒ¨÷¤T¤Q¤T¢w¢w¾|©P¤½¥@®a²Ä¤T | ¤ý¨û©¢ |
¦I¥£¬Fªv¨î«×ªº¬ã¨s | Á¡@¼C |
ªþ¸ü¡G | ÄÇ©vÀ[ |
¯ð·¡¤å¤Æ | |
·s¥Û¾¹®É¥N¤¤ì¤å¤ÆªºÂX±i | ±i¥úª½ |
½×©ú¥N©vÿ¤H¤f | §d½rµØ |
¥v°OáõÃÒ¨÷¤T¤Q¤K¢w¢w§º·L¤l¥@®a²Ä¤K | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤T¤Q¤E¢w¢w®Ê¥@®a²Ä¤E | ¤ý¨û©¢ |
®ï¥N°©¾¹¤¤ªºÀs§Î¹Ï®×¤§¤ÀªR | ³¯¥ò¥É |
¶Â·«ÐÅܶél¥½ | §õºa§ø |
°ê»yª`¿è®Õ§Ç¨¥ | ±i¥H¤¯ |
¶[´°·×¥»¥Õ¿Aºëúr¹Ï¨â´Ý¨÷ | ÄÇ©vÀ[ |
©ú¤H´©Áú»P·¨Â¤s¤§§Ð | §õ¥úÀÜ |
ª÷¥Nªº¬Fªvµ²ºc | ³³®Ê¥Í |
¥Ò°©¤å¤¤ªº¡uús¡v¦r»P«á¥@¯«¸Ü¤¤ªº¥ñ¿ª¤k´E | ¼B²WÁ{ |
ªþ¸ü¡G | |
§d¶V¤å¤Æ | ÄÇ©vÀ[ |
¤¤^¤å¸Ì¤Ï¦¨¦¡ªº»yµü | »¯¤¸¥ô |
ð¥N¬¥¶§¤Óì¹DÅæµ{¦Ò | ÄY¯Ñ±æ |
¥v°OáõÃÒ¨÷¥|¤Q¢w¢w·¡¥@®a²Ä¤Q | ¤ý¨û©¢ |
ªþ¸ü¡G | |
¦Ò¥j¾Ç¤W©Ò¨£º~¥N¥H«eªº¦è¥_ | ±i¥úª½ |
µØ¥_¹A·~§ø¸¨¥Í¬¡ªº½T¥ß»P¤¤ì¤å¤Æªº¾¤©ú | ±i¥úª½ |
¤¤°ê«n³¡ªº¥v«e¤å¤Æ | ±i¥úª½ |
¥v°OáõÃÒ¨÷¥|¤Q¤@¢w¢w¶V¤ý¥y½î¥@®a²Ä¤Q¤@ | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¥|¤Q¤G¢w¢w¾G¥@®a²Ä¤Q¤G | ¤ý¨û©¢ |
©ú²MÀÉ®×»P²M¥N¶}°ê¥v®Æ | §õ¥úÀÜ |
ªþ¸ü¡G | |
ªe«n¦w¶§®ï¼V¹Ó¸®¤¤¤HÅé°©Àfªº¾ã²z©M¬ã¨s | ·¨§ÆªT |
®ï¥Nªº¹A·~»P®ð¶H | ±iªÃÅv |
On Siamese Jaai | Fang-kuei Li |
º~¥N¶Àª÷¤Î»É¿úªº¨Ï¥Î°ÝÃD | ³Ò¡@ºm |
¦Û§º¦Ü©ú¬F©²·³¥X¤J¤¤¿ú»È¤ñ¨ÒªºÅÜ°Ê | ¥þº~ª@ |
»OÆW¬ü¿@«È®a¤è¨¥ | ·¨®É³{ |
Elements in the Metrics of T'ang Poetry | Feng-shang Hsueh |
ªþ¸ü¡G | |
ªF¨È¤j³°²Ä¥|¬ö¦ÛµMÀô¹ÒªºlÅÜ»P¤HÃþªººt¤Æ | ¨¿ºû©P |
¤¤°ê¥j»ÉÂU¾¹³q½× | ±ö쥽ªv |
°ê»yµ¦Ò®Õ§Ç¨¥ | ±i¥H¤¯ |
¦I¥£©v±Ð«H¥õ¤Î¨ä¬yÅÜ | Á¡@¼C |
¼v¦L¥Û¸]¤@¼x§Ç | ³¯¡@ºn |
The Tibetan Causative: Phonology | Betty Shefts Chang |
¥v°O·rÃÒ¨÷¤»¤Q¥|¢w¢w¥q°¨öøÐu¦C¶Ç²Ä¥| | ¤ý¨û©¢ |
ªþ¸ü¡G | |
¦è©P¥v¨Æ·§z | ©}¸U¨½ |
¨â©P¹A§@§Þ³N¡]ªþ¡G³¯¨}¦õ¡A¤¤°ê¥j¥N¹A·~¬IªÎ¤§°Óºe¡^ | ³\ÐÓ¶³ |
¤ý¥@ªN¥ý¥Í½sµÛ¥Ø¿ý |
©ú¤H´©Áú»P½^¤s¤j±¶ | §õ¥úÀÜ |
¥v°OáõÃÒ¨÷¥|¤Q¤C | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¥|¤Q¤K | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¥|¤Q¤E | ¤ý¨û©¢ |
ª÷¥Nªº¬Fªv½Ä¬ð | ³³®Ê¥Í |
¥v°OáõÃÒ¨÷¤¤Q | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤¤Q¤@ | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤¤Q¤G | ¤ý¨û©¢ |
The Final Stops in Tushan | Fang-kuei Li |
Two Negative Markers in Taiwanese | Paul Jen-kuei Li |
¶¦Ã×°ê¤Ò¤H¨ÆÂݽèºÃ¤Î¨äÂQ¤Æ»P¼vÅT | ªL¤Ñ½« |
º¡¬w¤KºXªº¤á¤f¦W¦â | ³¯¤å¥Û |
´°·×ð¥N¤ó±ÚÃдݨ÷¤§°Óºe | ¤òº~¥ú |
ªþ¸ü¡G | |
¦Ò¥j¾Ç¤W©Ò¨£º~¥N¥H«eªº¥_æ¯óì¦a±a | ±i¥úª½ |
§Úªº»y¨¥¦Û¶Ç | »¯¤¸¥ô |
¤»®Ñ±ø¨Ò¤¤ªº´XÓ°ÝÃD | ³Ò¡@ºm |
ð¥N²D¦{¦è³q¦w¦è¹DÅæµ{¦Ò | ÄY¯Ñ±æ |
¦¿¦è¤è¨¥Án½Õªº½ÕÃþ | ·¨®É³{ |
¶[¨L·ªªº¡u±RºÕªø½s¡v | §õ¥úÀÜ |
º¡±Úªº¤JÃö»Pº~¤Æ | ºÞªF¶Q |
ªþ¸ü¡G | |
³±¶§¤¦æ®a»P¬P¾ú¤Î¥e¸b | ¤ý¹ÚÅà |
¨áßý°ÝÃD«±´ | ©}¸U¨½ |
¥v°OáõÃÒ¨÷¤¤Q¤T | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤¤Q¥| | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤¤Q¤ | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤¤Q¤» | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤¤Q¤C | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤¤Q¤K | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤¤Q¤E | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤»¤Q | ¤ý¨û©¢ |
¯ûë«á®× | Às¦t¯Â |
°ê»yµ¦Ò®Õ | ±i¥H¤¯ |
¥Ò°©¤å¤¤ªº¡u°¬¡v»P¡uõÞ¡v | ¼B²WÁ{ |
º~²Á˸q¦AÄò | ³¯¡@ºn |
¥v°OáõÃÒ¨÷¤»¤Q¤G | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤»¤Q¤T | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤»¤Q¤ | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤»¤Q¤» | ¤ý¨û©¢ |
±qY¤z¦³Ãö¸ê®Æ¬Ý¡u°Vµþ¡v¤@µü¦´Áªº²[¸q | ±i¥H¤¯ |
°ê»y¶°ÃÒ¨÷¤@¤W | ±i¥H¤¯ |
°ê»y¶°ÃÒ¨÷¤@¤U | ±i¥H¤¯ |
²Mªì¿ñªF©Û¾Á±Â©x¨Òªº®ÄªG¤Î¨ä³Q¼oì¦]ªº±´°Q | ºÞªF¶Q |
¥v°OáõÃÒ¨÷¤»¤Q¤C | ¤ý¨û©¢ |
On Comparative Tsou* | Paul Jen-kuei Li |
¥v°OáõÃÒ¨÷¤»¤Q¤K | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤»¤Q¤E | ¤ý¨û©¢ |
ù¸u»P¨ä°½ì¹Ï | ²ø¡@¥Ó |
ªþ¸ü¡G | |
¾Ô°ê¹D®a | ³¯ºa±¶ |
¾Ô°ê®É¥Nªº¦W®a | ¤ý¹ÚÅà |
The Reconstruction of Proto-Miao-Yao Tones | Kun Chang |
¥v°OáõÃÒ¨÷¤C¤Q | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤C¤Q¤@ | ¤ý¨û©¢ |
¥jÆ@½n®Ñ¿ý¸ÑÃD¡]¤¡^ | ³¯¡@ºn |
ªþ¸ü¡G | |
¨â©P¤Ñ¤åª«²z»P¤uÃÀ | ³\ÐÓ¶³ |
¥v°OáõÃÒ¨÷¤C¤Q¤G | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤C¤Q¤T | ¤ý¨û©¢ |
º~¥Nªº¤Ù¥Ð»P¶}Ãä | ºÞªF¶Q |
½×²M©u¼sªF¦¬ÂîaÂõe¥Ø¿ý¤§½s¿è | ²ø¡@¥Ó |
§º¥N¤½¨Ï®w¡B¤½¨Ï¿ú»P¤½¥Î¿ú¶¡ªºÃö«Y | ªL¤Ñ½« |
The Periodization of Chinese History | Chun-shu Chang |
¥v°OáõÃÒ¨÷¤C¤Q¥| | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤C¤Q¤ | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤C¤Q¤» | ¤ý¨û©¢ |
Ū²M¥@¯ª¹ê¿ý | ¶À¹ü°· |
§d¿¤¥È§®Æ[¥Û¦µeÂÝ | ÄÇ©vÀ[ |
ªþ¸ü¡G | |
¨â©P¤å¾Ç¡]¤W½g¡^ | ¦ó¦ö´Ë |
¤¤°ê¤å¦rªºì©l»PºtÅÜ¡]¤W½g¡^ | §õ§µ©w |
±q¥Û¨è½×ªZ¦Z¤§©v±Ð«H¥õ | ÄÇ©vÀ[ |
ª÷»¯«°ÂÃ¥»ªkÅã¶ÇÃD°O | ÄÇ©vÀ[ |
¤t«n¾~³¶]ªº¯«¸Ü»P¶Ç»¡ | ºÞªF¶Q |
¥v°OáõÃÒ¨÷¤C¤Q¤C | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤C¤Q¤K | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤C¤Q¤E | ¤ý¨û©¢ |
ªþ¸ü¡G | |
¤¤°ê¤å¦rªºì©l»PºtÅÜ¡]¤U½g¡^ | §õ§µ©w |
¸¾¥¬»P Cinapatta¢w¢w½×¦´Á¤¤¦L½q¥æ³q | ÄÇ©vÀ[ |
¥¿¦W¥D¸q¤§»y¨¥»P°Vµþ | Às¦t¯Â |
³¯ºn±g¥ý¥Íªþ°O | ³¯¡@ºn |
¥v°OáõÃÒ¨÷¤K¤Q | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤K¤Q¤@ | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤K¤Q¤G | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤K¤Q¤T | ¤ý¨û©¢ |
ÃQ®Ñ±Z¯E¶Çºàµù | ¤ý¥ì¦P |
ªþ¸ü¡G | |
¬K¬î®É¥Nªº±Ð¨| | ³¯¡@ºn |
¤T°ê¬FÅvªºªÀ·|°ò¦ | ¤òº~¥ú |
¥v°OáõÃÒ¨÷¤K¤Q¥| | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤K¤Q¤ | ¤ý¨û©¢ |
¤R°©ªº§ðªv§Þ³Nºt¶i¹Lµ{¤§±´°Q | ¼B²WÁ{ |
The Vassal Kings and Marquises | Tao Tien-yi |
ªþ¸ü¡G | |
¦è«n¤å¤Æ | ÄÇ©vÀ[ |
¤åªZ¤BªÁÃÐ | ÄY¤@µÓ |
¥jÆ@½n®Ñ¿ý¸ÑÃD¡]¤»¡^ | ³¯¡@ºn |
Structural Linguistics in China | Kun Chang |
¥v°OáõÃÒ¨÷¤K¤Q¤» | ¤ý¨û©¢ |
¥Ò°©¤å¤¤©Ò¨£ªº¡u¼Æ¡v | ±iªÃÅv |
Gyarong Historical Phonology | Betty Sheft Chang & Kun Chang |
¥v°OáõÃÒ¨÷¤K¤Q¤C | ¤ý¨û©¢ |
©ú¬xªZ¥Ã¼Ö´Âªºº]¤å®m¥O | ¶À¹ü°· |
±q¤¤¥¿µû«~»P©x¾¤§Ãö«Y½×ÃQ®Ê«n´Â¤§ªÀ·|¬[ºc | ¤òº~¥ú |
Dialect Variations in Chinese Historical Phonology | Kun Chang |
Tonal Developments among Chinese Dialects | Kun Chang |
Intensive Agriculture and Its Relationships with Unilineality and Social Stratification | Jiann Hsieh |
¥v°OáõÃÒ¨÷¤K¤Q¤K | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤K¤Q¤E | ¤ý¨û©¢ |
¥¤··s¦Ò | ¤B¨¹·s |
½×»y¡B©s¤l¡B¤Î¸Ö¸g¤¤¨Ã¦C»y¦¨¤À¤§¶¡ªºÁn½ÕÃö«Y | ¤B¨¹·s |
¥_§º¼y¾ä§ï²«e«áªº¥~¥æ¬Fµ¦ | ³³®Ê¥Í |
®ï¾äÃÐq¸É | ÄY¤@µÓ |
¥v°OáõÃÒ¨÷¤E¤Q | ¤ý¨û©¢ |
¥v°OáõÃÒ¨÷¤E¤Q¤@ | ¤ý¨û©¢ |
Proto-Miao Initials | Kun Chang |
Thao Phonology | Paul Jen-kuei Li |
¹Q»yµÃý | ¦ó¤j¦w |
¥v°OáõÃÒ¨÷¤E¤Q¤G | ¤ý¨û©¢ |
¤û¦Ï¤é¾ä¤Î¨ä¬ÛÃöªº§@«~»P§@®a¿ë | ¤ý¹ÚÅà |
¤¤°ê¤¤¥jªÀ·|¥v²¤½×½Z | ¤òº~¥ú |
±qɦr¬Ý¬ð³Ö¡B¦^¬øªºº~¤Æ | ³¯¼y¶© |
The Prenasalized Stop Initials of Miao-Yao, Tibeto-Burman, and Chinese: A Result of Diffusion or Evidence of a Genetic Relationship¡H | Betty Shefts Chang & Kun Chang |
ªþ¸ü¡G ©P¥Nªº¦ç¡B¹¡B¦í¡B¦æ |
¡@ ³\ÐÓ¶³ |
¬K¬î¦C°ê·«U¦Ò½× | ³¯¡@ºn |
Chinese *s-nasal Initials | Betty Shefts Chang & Kun Chang |
Áɼw»yÃúªÀ¤è¨¥ªºµÃýµ²ºc | ·¨¨qªÚ |
ªþ¸ü¡G | |
ªì´Á¾§®a | ³¯ºa±¶ |
®ïµê¥X¤g«C»É§¾¹ªºÁ`À˰Q | §õ¡@ÀÙ |
The Internal Relationships of Rukai | Paul Jen-kuei Li |
The Tibetan Role in Sino-Tibetan Comparative Linguistics | Kun Chang |
¥v°OáõÃÒ¨÷¤E¤Q¤T¦Ü¤E¤Q¤ | ¤ý¨û©¢ |
ªþ¸ü¡G | |
¾Ô°ê¤å¾Ç | ÄÇ©vÀ[ |
©ú¥N½Ã©Òªºx | ³¯¤å¥Û |
¥jÂä媺 y ¤Î¨ä¬ÛÃö°ÝÃD | ÅǷ׫° |
Tibetan Prenasalized Initials | Betty Shefts Chang & Kun Chang |
¥v°OáõÃÒ¨÷¤@¦Ê¤@¦Ü¤@¦Ê¥| | ¤ý¨û©¢ |
ªþ¸ü¡G | |
¯³ªº²Î¤@»P¨äÂФ` | ³Ò¡@ºm |
©P¥N³£¥«ªºµo®i»P°Ó·~ªºµo¹F | ³\ÐÓ¶³ |
¤¤°ê¤¤¥j½å¯àÆ[©À¤§¬ã¨s¢w¢w¥ô©x¼Ð·Ç¤§Æ[¹î | ¤òº~¥ú |
Morphophonemic Alternations in Formosan Languages | Paul Jen-kuei Li |
¥v°OáõÃÒ¨÷¤@¦Ê¤¦Ü¤@¦Ê¤E | ¤ý¨û©¢ |
Notes on The Composition, Transmission, and Editions of the Ju-Shu Chi | Ch'un-shu Chang |
º~¥N¤Ù¥Ðªº²Õ´»P¥\¯à | ºÞªF¶Q |
²M¥Nº¡¤H¬Fªv°Ñ»P | ³¯¤å¥Û |
±ÆÆW»y¤¦¸ô¤è¨¥ªºµÃý¨t²Î | ¦ó¤j¦w |
ªþ¸ü¡G | |
¾Ô°ê¤C¶¯¤Î¨ä¥L¤p°ê | ³Ò¡@ºm |
ëפ`©ó¨ûʳ»¡ | ±i¥H¤¯ |
²{¥Nº~»y¿ï¾Ü°Ý¥yªkªº¨Ó·½ | ±ö¯ªÅï |
¤¸ªì¦¿«nªº«q¶Ã(1276-1294) | ¶À²M³s |
ªþ¸ü¡G | |
¤Ñ¯«Æ[»P¹D¼w«ä·Q | ÄÇ©vÀ[ |
¤Õ¤l¾Ç»¡ | ±ö¶MÄ_ |
A Comparative Vocabulary of Saisiyat Dialects | Paul Jen-kuei Li |
¥v°OáõÃÒ¨÷¦Ê¤Q¤@¦Ü¦Ê¤Q¥| | ¤ý¨û©¢ |
ªþ¸ü¡G | |
¥ý¯³¼Æ¾Çªºµo®i¤Î¨ä¼vÅT | ³¯¨}¦õ |
¥j¨õ«n»yªºÀÀ´ú | ¤B¨¹·s |
ð¥Nªº¶±¶Ä³Ò°Ê | ¶À²M³s |
¥v°OáõÃÒ¨÷¤@¦Ê¤Q¤» | ¤ý¨û©¢ |
ªþ¸ü¡G | |
®ï¥Nªº²½ªÁ»P§Å³N | ±iªÃÅv |
¯«¹D«ä·Q»P²z©Ê¥D¸q | ÄÇ©vÀ[ |
«n§ë¿¤¶°¶°Âí¥Ð¼d¶é¥v«e¿ò§}¸Õ±¸ | »N®¶µØ |
¤ºØ±ÆÆW¤è¨¥ªºªì¨B¤ñ¸û | ¦ó¤j¦w |
ªþ¸ü¡G | |
¬K¬î¦C°êªºÝ¨Ö¾E±p»P¥Á±Ú²V¦P©M¸¨«á¦a°Ïªº¶}µo | ³¯¡@ºn |
¼v¶r´°·×¼g¥»¥e¶³®ð®Ñ´Ý¨÷¸ÑÃD | ³¯¡@ºn |
½×©Pªì¦~¥N©M¥l»¢¬¥»¢ªº·sÃÒ©ú | ³Ò¡@ºm |
¥v°OáõÃÒ¨÷¤@¦Ê¤Q¤C¢w¢w¥q°¨¬Û¦p¦C¶Ç²Ä¤¤Q¤C | ¤ý¨û©¢ |
ªþ¸ü¡G |
|
¤RÃ㤤©Ò¨£®ï°Ó¬Fªv²Î¤@ªº¤O¶q¤Î¨ä¹F¨ìªº½d³ò | ±iªÃÅv |
The Chinese Transcription of Tibetan Consonant Clusters | Fang kuei Li |
The Composite Nature of the Ch'ieh-yun | Kun Chang |
A Note on Tone Change in the Ch'ao-chou Dialect | Pang-hsin Ting |
Variations in the Tsou Dialects | Paul Jen-kuei Li |
𥽤¥N¬FªvªÀ·|¤§¬ã¨s¢w¢wÃQ³Õ¤G¦Ê¦~¥v½× | ¤òº~¥ú |
ð¥NÀr¤¤Ò}Ï·½Ñ¹D¦Ò²¤ | ÄY¯Ñ±æ |
º~ÃQ¤»´Â¤åÅéÅܾE¤§¤@¦Ò¹î | ¤ý¹ÚÅà |
¤¤°ê³q¦r¯ó®× | »¯¤¸¥ô |
¦A½×¥v«e³³¤å©Mº~¦r°_·½°ÝÃD | §õ§µ©w |
ªþ¸ü¡G | |
©P¥N«Ê«Øªº«Ø¥ß | §ù¥¿³Ó |
©P¥N«Ê«Ø¨î«×ªºªÀ·|µ²ºc | §ù¥¿³Ó |
¾G°ê·Àë×¸ê®ÆªºÀ˰Q | ±i¥H¤¯ |
¾Ô°ê¦Üº~ªìªº¤H¤fÅܾE | ºÞªF¶Q |
¤ý¦w¥Ûªº¹ï¿ñ¥~¥æ¬Fµ¦ | ³³®Ê¥Í |
¤W¥j³±Án¦r¨ã»²µÃý§À»¡À˰Q | Às¦t¯Â |
¤W¥jº~»yªºµ¸`µ²ºc | ¤B¨¹·s |
°Ó¥v·s®Æ¤T«h | ±i¥úª½ |
ªþ¸ü¡G | |
¤Õ¤lªº¥Í¥¤Î§Ì¤l | ¦ó¦ö´Ë |
¥»¥Z²Ä¥|¤Q¤@¥»¦Ü²Ä¤¤Q¥»µÛªÌ¤¤¤å©m¦W¤Î¨ä½×¤å¯Á¤Þ | |
¥»¥Z²Ä¥|¤Q¤@¥»¦Ü²Ä¤¤Q¥»µÛªÌ^¤å©m¦W¤Î¨ä½×¤å¯Á¤Þ | |
¥»¥Z²Ä¥|¤Q¤@¥»¦Ü²Ä¤¤Q¥»¥Ø¿ý |