「健與美的歷史」研討會
「中國歷史上的醫療與社會」新興主題研究計畫中小 型研討會系列之四


中國美容史初探之一:塑身美容廣告中的科學與女體
Shape My Body:
The Representations of Femininity and Science in the Advertisements
for Body Sculpturing Beauty Salons

祝平一
(中央研究院歷史語言研究所助研究員)

 本文主旨在比較二十世紀初期、日治時代相關的美容廣告,以呈顯近十年來塑身美容廣告之所以可能,是世紀末台灣史各種特殊論述的組合所造成的。一方面科學權威的挪用、使用、利用各式和各樣的儀器,增強其廣告的說服力。另方面,近來年情慾解放與女性主體的論述,使得塑身美容廣告與其他將女人物質化的廣告不同。然而在資本主義的消費社會下,即使是塑身美容廣告所創下的女性主體/身體終將為資本邏輯所吞噬,而幻化為遙不可及的慾望,就好像阿拉丁神燈中的精靈,可以有種種靈力,卻沒了身體。

This paper discusses how gender and science are represented in the advertisements of a newly emerging industry called shuoshen meirong gongsi 塑身美容公司 (body sculpturing beauty salons). Unlike traditional fat reducing business for women, this new industry emphasizes not only reducing body fat, but also creating a standard and attractive female body which acts as a decoy in heterosexual social life. To achieve this goal, scientific instrumentsas well as scientific authority are mobilized to establish the features of a standard female body and to enhance the effectiveness of body sculpturing.

This paper first compares the differences between the shuoshen meirong advertisements and traditional advertisements that treat the female body as an object. It then examines how female subjectivity is shaped in this kind of advertisements via an appropriation of feminism, emphasizing women as active social agents. The authority of science is then grafted on to various cosmetic practices which transform women into the Subject while turning them into an object of heterosexual desire. The authority of modern science and technology underpins the practices of shuoshen meirong and models the body of Taiwanese women into one standard in a consuming society which consumes not only objects but also the Subject.

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